![]() Multi-effects units have been justly popular in recent years, but once you have one in your studio why would you ever want to buy another? One decent multi-effects unit is enough for any studio, and soon we'll have a choice of dozens (hopefully) of classy single effects units, each of which does one particular job and does it very very well. ![]() Of course I am speculating, as I don't have an insight into the manufacturers' minds, but since I would very much like to have a better choice of quality easy-to-use effects units than exists at the moment, I see no harm in promoting the idea. Physically, the DPS-R7 is identical to the DPS-D7, the only difference being that one letter in the name. There is a dual concentric input level control and there are separate stereo output level controls for dry and effect level. ![]() It's very useful to be able to mix the two on the unit itself, although most engineers will mix in the reverb via an auxiliary send on the console. ![]()
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